posturing, no vulgar or suggestive movements. It has been described as the interpretation of the highest ideals of a world that aspired to grace and beauty and chastity in woman, and strength and dignity and loyalty in man.

Today, John Carter, Warlord of Mars, with Dejah Thoris, his mate, led in the dancing, and if there was another couple that vied with them in possession of the silent admiration of the guests it was the resplendent Jed of Gathol and his beautiful partner. In the ever-changing figures of the dance the man found himself now with the girl's hand in his and again with an arm about the lithe body that the jeweled harness but inadequately covered, and the girl, though she had danced a thousand dances in the past, realized for the first time the personal contact of a man's arm against her naked flesh. It troubled her that she should notice it, and she looked up questioningly and almost with displeasure at the man as though it was his fault. Their eyes met and she saw in his that which she had never seen in the eyes of Djor Kantos.

It was at the very end of the dance and they both stopped suddenly with the music and stood there looking straight into each other's eyes. It was Gahan of Gathol who spoke first.

"Tara of Helium, I love you!" he said.

The girl drew herself to her full height. "The Jed of Gathol forgets himself," she exclaimed haughtily.

"The Jed of Gathol would forget everything but you, Tara of Helium," he replied. Fiercely he pressed the soft hand that he still retained from the last position of the dance. "I love you, Tara of Helium," he repeated. "Why should your ears refuse to hear what your eyes but just now did not refuse to see-and answer?"

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